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“PASSIO”: THE MATER DOLOROSA IN POPULAR TRADITION

On this special Good Friday concert, Vesuvius Ensemble presents a unique comparison of popular and classical music for Holy Week with a particular emphasis on the Mother of Sorrows. Anguished melodies from various folk traditions will mix with heart-rending settings of the Stabat mater and other liturgical texts. This juxtaposition invites a collective meditation on the mystery which has inspired so much passion and faith.

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The Vesuvius Ensemble’s mission is to contribute to the preservation and transmission of the enormous cultural legacy made up by the popular cultural traditions in the zone around Naples and southern Italy. This legacy includes the cultural and musical traditions of countryside peasants, whose rituals and songs been passed on orally and in writing over centuries and finally recorded and researched in the twentieth century by important scholars such as Roberto De Simone, Diego Carpitella, and Alan Lomax. The area’s cultural heritage also includes published material from professional Renaissance & Baroque composers working in urban settings who published in forms which imitated popular music or used texts in regional dialect (Falconieri, Kapsberger, Kirscher, Vinci, Provenzale, Leo, etc.).

Vesuvius Ensemble’s performances attempt to paint a portrait of Naples and its surrounding countryside in the Renaissance & Baroque periods, giving colourful details of Neapolitan life (the Moorish and Spanish influence on the city’s cultural production, the city’s special religious and secular festivities, unique musical institutions like the conservatorii, also hardships such as the plagues and the eruption of Mount Vesuvius in 1631).

The rustic instruments used (the tammorra, chitarra battente, ciaramella, colascione, etc.) combine with Baroque continuo instruments (chitarrone, Baroque & Renaissance guitars, lutes) to create a unique accompanimental soundscape.

  • Organized by: Istituto Italiano di Cultura